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HUNG FAI 熊輝
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    • 痕 Traces
    • 源 Vessel
    • 繪畫六法—傳移摹寫 The Six Principles of Chinese Painting: Transmission
    • 繪畫六法: 應物象形 The Six Principles of Chinese Painting- Correspondence to the Object
    • 野草 Wild Grass
    • 淋漓 Splash
    • 變 Transformation
    • 源 Origin
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野草 Wild Grass


​「沿著冰冷沉甸的尺,在濕透的紙上,如利刃般劃下一刀刀筆直的線。
墨水,隨著手的緩急輕重,注入紙裏。一條墨痕,如線般在尺邊下凝住了。
用指頭輕壓,一顆顆墨珠從那冒出來。
有的化成了小山丘。有的化成了野草。」
 
以重覆沿尺繪畫單一規律的直線,及按壓墨線、讓其筆觸在濕潤的宣紙上滲化成獨特的痕跡,重新喚醒、紀錄被蹂躪者那獨特傷痕所交織而成的意象。

“Following the cold and heavy rule, painting lines after lines like a sharp knife on the drenched paper.
The ink, alone with the movement of hands, soaks into paper.
The trace of ink condense like a line at the fringe of the rule.
Pressing with fingertips, droplets of ink diffuse.
Some transform into hills and some grow into the wild grass.”
 
Repeatedly painting homogeneous straight lines, and pressing the black ink, let the free flow of ink diffuse as unique traces on the soaked wet paper. It awakes and records the signifier weaved by the scars of the trampled.

Picture
《野草》之二十 Wild Grass XX, 180x291cm, 水墨紙本 Ink on paper, 2020
Picture
《野草》之七 Wild Grass VII,180x291cm, 水墨紙本 Ink on paper, 2014
图片
《野草》之四 Wild Grass Ⅳ,180x97cm, 水墨紙本 Ink on paper, 2014
图片
《野草》之三 Wild GrassⅢ, 97x180cm, 水墨紙本 Ink on paper, 2014
图片
《野草》之二 Wild GrassⅡ,180x97cm, 水墨紙本 Ink on paper, 2014
图片
《野草》之一 Wild GrassI,180x291cm, 水墨紙本 Ink on paper, 2014

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Powered by Create your own unique website with customizable templates.
  • news 更新
  • about 關於
  • works 作品
    • 痕 Traces
    • 源 Vessel
    • 繪畫六法—傳移摹寫 The Six Principles of Chinese Painting: Transmission
    • 繪畫六法: 應物象形 The Six Principles of Chinese Painting- Correspondence to the Object
    • 野草 Wild Grass
    • 淋漓 Splash
    • 變 Transformation
    • 源 Origin
  • Collaborations 合作
  • media coverage 報導
  • publications 出版
  • exhibitions 展覽
  • video 視頻
  • contact 聯絡