源 Vessel
熊輝邀請母親用宣紙摺一艘船。以紙船為載體，紀錄母親童年對船的印象和回憶。紙張隨着母親的記憶，被摺疊成立體的空間。
熊輝把母親的紙船沿着摺痕輕輕壓平，放在宣紙層上用水濕透。隨著筆尖起落，壓抑的墨點如雨般覆蓋紙船、使其埋藏其中。接著，水從宣紙的一端不斷滲入，順著水勢，墨點慢慢穿透紙船。把紙船抱起，象徵揭開被埋藏的印痕，從那片蒼白當中喚醒被遺忘了的事物。
最後，把宣紙層翻開，垂直置於左右, 並將紙船置中，在《源I》 和《源II》，分別呈現開、合兩種狀態：展開成鏡像空間、緊合為母體的意像，表達母與子在尋找本源的過程中之關係。
熊輝把母親的紙船沿着摺痕輕輕壓平，放在宣紙層上用水濕透。隨著筆尖起落，壓抑的墨點如雨般覆蓋紙船、使其埋藏其中。接著，水從宣紙的一端不斷滲入，順著水勢，墨點慢慢穿透紙船。把紙船抱起，象徵揭開被埋藏的印痕，從那片蒼白當中喚醒被遺忘了的事物。
最後，把宣紙層翻開，垂直置於左右, 並將紙船置中，在《源I》 和《源II》，分別呈現開、合兩種狀態：展開成鏡像空間、緊合為母體的意像，表達母與子在尋找本源的過程中之關係。
Hung Fai invited his mother to use xuan paper to fold a ship, which served as a carrier of her childhood impression of ship and reminiscences. The paper itself following mother’s memory was turned into three dimensional spaces.
Hung flattened the ship gently along the fold marks, placed the ship on layers of xuan paper, and then soaked them with water. As the tip of his pen goes up and down, the oppressed ink dots shower over the ship, cover it gradually until it is fully covered. Water was then instilled from one end of the paper. The black ink diffused with the current and slowly penetrated the ship. Lastly, Hung lifted the ship, symbolising the unearthing of a buried trace, evoked from the blank what was once forgotten.
In the end, the paper was spread open and placed vertically by the sides, and the ship rested in the middle, manifested an "open" state in Vessel I and "closed" in Vessel II. The expanded mirrored space and the tightly closed maternal imagery expressed relationships of mother and son in the pursuing of origin.
Hung flattened the ship gently along the fold marks, placed the ship on layers of xuan paper, and then soaked them with water. As the tip of his pen goes up and down, the oppressed ink dots shower over the ship, cover it gradually until it is fully covered. Water was then instilled from one end of the paper. The black ink diffused with the current and slowly penetrated the ship. Lastly, Hung lifted the ship, symbolising the unearthing of a buried trace, evoked from the blank what was once forgotten.
In the end, the paper was spread open and placed vertically by the sides, and the ship rested in the middle, manifested an "open" state in Vessel I and "closed" in Vessel II. The expanded mirrored space and the tightly closed maternal imagery expressed relationships of mother and son in the pursuing of origin.
源llI Vessel III, 2019, 水墨紙本 Ink on paper,97x180cm
源 ll Vessel II, 2019, 水墨紙本 Ink on paper (a set of 3),180x194cm, each panel 180x97cm, paper boat 180x25.5cm
源 l Vessel I, 2019, 水墨紙本 Ink on paper,180x291cm (a set of three), each panel 180x97cm
